Harold_V said:When you pour molten metals to a metallic mold, it should have a heavy protective layer of carbon
What 4metals said, or you can go to a foundry supply and purchase prepared lamp black. It can be brush applied, with a thick layer if required. The proper name escapes me, but if you ask for pig mold dressing they'll know what you're talking about.danny987 said:Harold_V said:When you pour molten metals to a metallic mold, it should have a heavy protective layer of carbon
How do i go about this? could i use graphite powder?
That's the ductile iron I mentioned. The magnesium you mentioned causes the free graphite to form spheroids instead of flakes. That's the only difference between gray iron and ductile iron.scrapdealer said:Normal cast iron tends to crack very easily. If you are going to have some moulds made use SG - Speroidal Graphite, which I believe has a small percentage of Mag added. They last far longer than the normal moulds.
Could be you were very fortunate. In my years of refining, I had molten metal solder to molds on two different occasions. Remember, I even coated my molds with lamp black (commercially prepared stuff I recommended).61 silverman said:Maybe we were lazy or uneducated but we never pre-coated our molds prior to using , they were allways pre-heated...
It doesn't stop with extracting the material, either. Because it gets firmly attached, you not only must remove all of the solder from the mold to restore it to usefulness, but the material is now of questionable quality, so it must be refined once again. Mold blacking is a very cheap insurance.Oz said:The take away message here in MHO is that it is better to spend a few moments coating a mold than the time and cost involved in separating a precious metal pour from the mould chemically. Those of you that have been forced into that situation know all too well.
In my opinion, yes, it would be a better choice. For one, it doesn't smoke or ignite. It does slowly reduce to CO2, however, so the surface, after the first pour, will have an appearance of ash, similar to that which one gets from a charcoal barbeque. It's very thin, and adheres to the mold quite well. If the coating is not replenished, it would eventually be gone. Once I understood the nature of the problem, I rarely poured a second time without recoating the mold. Pouring to a cone mold was one of the exceptions, where, if the mold was not superheated, the resulting button usually had a thin film of flux surrounding the metal, with the balance of the flux on top, as it should be.Montecristo said:We use 3 in 1 oil to coat the mold when we pour. Besides being a flaming smoky mess it seems to work pretty well. (But we're melting scrap gold, not pure) Would the mold black be a better choice, hopefully with less smoke and smell?